|
The theory and practice of adaptation |
Robert Stam |
|
Improvements and reparations at Mansfield Park |
Tim Watson |
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Keeping the carcass in motion : adaptation and transmutations of the national in The Last of the Mohicans |
Jacquelyn Kilpatrick |
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The discreet charm of the leisure class : Terence Davies's The House of Mirth |
Richard Porton |
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In search of adaptation : Proust and film |
Melissa Anderson |
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The Grapes of Wrath : thematic emphasis through visual style |
Vivian C. Sobchack |
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Cape Fear and trembling : familial dread |
Kirsten Thompson |
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The carnival of repression : German left-wing politics and The Lost Honor of Katharina Blum |
Alexandra Seibel |
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Serial time : Bluebeard in Stepford |
Bliss Cua Lim |
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Boyz N the Hood chronotope: Spike Lee, Richard Price, and the changing authorship of Clockers |
Paula J. Massood |
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Defusing The English Patient |
Patrick Deer |
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Carnivals and goldfish: history and crisis in The Butcher Boy |
Jessica Scarlata |
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Passion or heartburn? the uses of humor in Esquivel's and Arau's Like Water for Chocolate |
Dianna C. Niebylski |
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Beloved: the adaptation of an American slave narrative |
Mia Mask |
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Oral traditions, literature, and cinema in Africa |
Mbye Cham |
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Memory and history in the politics of adaptation: revisiting the partition of India in Tamas |
Ranjani Mazumdar |
|
The written scene: writers as figures of cinematic redemption |
Paul Arthur |
|
The theory and practice of adaptation |
Robert Stam |
|
Improvements and reparations at Mansfield Park |
Tim Watson |
|
Keeping the carcass in motion : adaptation and transmutations of the national in The Last of the Mohicans |
Jacquelyn Kilpatrick |