|
The frustrated persuader : Fairfax M. Cone and the Edsel advertising campaign, 1957-59 |
James L. Baughman |
|
Postwar white girls' dark other |
Wini Breines |
|
Mau Mau's American career, 1952-57 |
Joel Foreman |
|
The opening of America : meaningful difference in 1950s television |
Horace Newcomb |
|
Watching Elvis : the male rock star as object of the gaze |
David Shumway |
|
Memory and repression in early ethnic television : the example of Gertrude Berg and the Goldbergs |
Donald Weber |
|
What Lola got : cultural carelessness on Broadway |
David Van Leer |
|
The prime of Miss Kim Novak : struggling over the feminine in the star image |
Jackie Byars |
|
Split screens : framing and passing in pillow talk |
Cynthia J. Fuchs |
|
Democracy, capitalism, and American literature : the cold war construction of J.D. Salinger's paperback hero |
Lee Medovoi |
|
Something old, something new, something borrowed, something (red, white, and) blue : Ayn Rand's Atlas shrugged and objectivist ideology |
Stacey Olster |
|
The road to rapprochement : Krushchev's 1959 visit to America |
Stephen J. Whitfield |
|
The frustrated persuader : Fairfax M. Cone and the Edsel advertising campaign, 1957-59 |
James L. Baughman |
|
Postwar white girls' dark other |
Wini Breines |
|
Mau Mau's American career, 1952-57 |
Joel Foreman |
図書
